Creativity Q & A

creativity

I recently had a student email me some questions about creativity for a class. I get a fair amount of this, and normally I don’t respond, but for some reason this one got through.

Anyway, for what it’s worth, here’s the creativity Q & A:

1. How do you define creativity?

Working with what’s available to make something new and unique.

2. Do you believe that each person has the capacity to be creative? Why?

Certainly. Not everyone is a painter or singer, but I think everyone has the ability and the desire to create in their own way. I think deep down we all want to say ‘This is me. I made this.’

3. How did you find your creative niche?

It sort of found me. I love to draw, and I love being funny. I’m also a fairly adept musician, and I floundered at that for years, but in the end cartooning just sort of manifested itself.

4. Do you think creativity is innate or learned? Explain.

Both. It’s one thing to have that flash of wonderful inspiration, it’s quite another to shape that into something meaningful or useful, or to come up with something on a deadline.

5. Who or what experiences have inspired your work?

Cartoonists Peter Arno, Charles Schulz & Bill Watterson, comedians Bill Cosby, George Carlin and David Letterman, a few wonderful teachers along the way, and, of course, my family.

6. Have you always wanted to do what you are doing? If not, what made you decide to start?

Yes. I started tracing the Sunday comics pretty early on. I’m lucky that I had some innate abilities, and people along the way to point that out.

7. Does spirituality and culture play a role in your creativity? Explain.

Culture plays a huge role in what I do. To be a humorist is to be an observer. I subscribe to a ton of magazines, watch a fair amount of TV and surf the internet a lot. You need to be informed to be funny.

8. How important is education to your creative process?

A good sound liberal education is the base of what I do. To be a cartoonist you have to know a little about a lot.

9. How do you deal with creativity blocks?

Often you can push through them through sheer force of will. Other times you just have to wait it out. There’s no set procedure, but after a while you learn a lot of little tricks.

10. Do you believe that it is important to be accepted by others as being creative or is just doing what you love to do enough to justify your work? Explain.

I think we all want to be accepted and acknowledged for our creations, but I don’t believe it’s a necessary part of being creative. If you want to be a singer, sing. Want to be a cartoonist? Draw cartoons. Being a professional is another layer entirely.

I hope I come across well. I tried to be substantive and brief without getting too self-helpy.

Again, normally I just don’t respond to these because, honestly, there’s about a million more creative and successful people than me, but I thought these were fairly well thought out questions

So, there you go. Any thoughts?

Mauldin Exhibit & a Scolding for the Trib

Bill-Mauldin-Lincoln-Memorial ThumbThere’s a nice piece in today’s Chicago Tribune Magazine about Bill Mauldin.

There are so many great cartoonists past and present I have yet to delve into, and, sadly, Mauldin is still on my to-do list.

The good news is I there’s an exhibit of his work right here in Chi-town until the end of the year! It’s so rare that something like this is close to me that I’m positively giddy about it!

At the end of the Tribune piece, there’s a little thing that disturbs me, however:

The Chicago Tribune currently has no full-time editorial cartoonist on staff, not since the great Jeff MacNelly died at 52 in 2000. I showed some of Mauldin’s work to editorial page editor Bruce Dold. He smiled and said, “They don’t make ’em like MacNelly and Mauldin anymore.”

Would he hire Mauldin if he walked in the door today?

“In a second,” said Dold. “In a second.”

A note to the Trib:

While another Mauldin or MacNelly might never be, it shouldn’t take you six years to find another vital cartoon voice.

MacNelly left some big shoes to fill, but maybe we can find someone who can stuff some newspaper in the toes for a while?

Trib, baby, you know I love ya, but come on. You owe it to the cartoonists that helped make you great to get off your duff and hire someone already.

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Follow That Cartoon (Part 6)

Welcome back to Follow That Cartoon! A series of entries in which I track the creation, submission, and, hopefully, the sale of this cartoon:

 Cartoon Blog 5922 1

OK, it’s been a while since my last entry, so let’s get caught up.

As you might remember this was rejected by Reader’s Digest, but it’s difficult to complain considering I have two in their November issue.

I did end up sending this to Harvard Business Review toward the end of August, but it’s been two months with no reply one way or another.

To be fair, there was a change in cartoon staff, and often it takes a bit to come to grips with the stacks and stacks of cartoons coming in. But I think 60 days is enough time for me to officially send it elsewhere.

Who’s the next lucky recipient you ask? Why my good friends at Good Housekeeping!

I put it on the top of the stack too!

I’ll letcha know what I hear…

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Cartoon Cars

So last week my wife’s car decided it’d had enough. But money pit though it had become, I’m kinda gonna miss our old ’99 Olds Intrigue.

I’ve said before that I hate drawing cars. There’s something about the lines and the angles that, if not done properly, really stick out as amateurish in the final product.

The Olds was a good one for reference because it was just sort of an everyday nothing special kind of car:

Olds

See? Honestly, unless I told you it was an Olds, it could be pretty much anything.

Here’s one of the cartoons in which I used it for reference.

Here’s the new car:

Honda

It’s an ’07 Honda Civic. Still pretty nondescript. I’ll lethca know when it makes its way into its first cartoon.

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Danger, Google Image Search!

I had a number of cartoons to do today with scenes or characters outside my normal repertoire. So, as usual, I turned to Google’s image search.

Here’s what I used for reference today:

Wus3



Standards Pilots



Lineup



I know some cartoonists still tend to their morgues files, but with results like these, I gotta wonder why.

(BTW, you HAVE to check out this site where you can buy your very own “Lost in Space” B9 robot!)

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