Style Over Time

A customer at our favorite cartoon website, bought these two cartoons today:

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The first one is a cartoon from early on in my career – about 6 months in.

The second is very recent.

It just floors me how much my style has changed in the last 9 years. Honestly, they look as if they were done by two different artists.

It’s weird to see such a stark contrast in one’s own work, but the old stuff still sells, so who am I to complain!

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Ethnicity in Cartoons

Jim Borgman had a fascinating entry a few days ago about using ethnic characters in cartoons to acknowledge diversity, but…

“…racial images are so charged in our times that it is harder than you’d think…”

Got that right.

I’ve thought about this off and on over the years. And when I do custom cartoons (normally in color), especially for large corporate clients, I think I do a much better job of this, but my bread and butter grayscale gag work? Not so much.

(OK, before we continue, I’m really going to try to wade very carefully in these waters. I don’t want to offend anyone, but I also want to speak frankly, so everyone take a deep breath…)

The town we live in is very diverse. I’m proud that when I take my son to the library, he sees and hears all colors, nationalities, languages, religions etc… I hope that my kids see the world a little less lilly white than I did with my cornfed upbringing.

So why don’t I draw more ethnicities?

I tell myself that my little people aren’t white, they’re generic. It’s kind of a cop out.

Here’s the thing – if I draw a standard conference table sort of scene with four people, and I make one a medium gray color, I’m worried about tokenism.

OK, so add two ethnic characters. One light gray, and one a medium gray. For some reason, and maybe it’s me overanalyzing it, but it slows down the read of the cartoon. All of a sudden it’s not people at a table, it’s two whites, a hispanic, and a black at a table.

And where do you seat them? Who’s in charge of the meeting? What about sex – how many women are enough? Should the female character display ethnicities too? Should anyone be wearing, say, a turban?

OK, so let’s not worry about color per se, how about ethnically distinct facial features? Would it be enough to add slightly larger lips to imply color? Or a more Asian eye?

The problem here is that my characters are very simply drawn. Honestly, there’s only three, maybe four lines defining the face. Plus, truth be told, I’m no great artist. Ethnic features drawn by me would almost certainly look clumsy or caricaturistic and call attention to themselves, again, slowing down the read of the cartoon.

Ugh… I don’t know the answer to this, and truth be told, running a business while juggling the kids leaves me little time for meditation on the subject. But I think the fact that I worry about this says an awful lot about how our society hasn’t progressed very far along these lines at all.

Which is pretty sad.

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Elegant Technology

Have you seen this video?

Sure, millions have. But have you seen the new video via Fast Company? (I tried to embed it, but it didn’t want to take via Ecto.)

You look at stuff like iPods, the new iPhone, stuff like this, and all of a sudden, technology is, well, elegant.

After picking up a NuLOOQ to compliment my Wacom tablet, I was feeling pretty cool twisting and tapping with my left hand while drawing with my right. (I wonder how and when this sort of intuitive interface will make it’s way to something like the Cintiq.)

But after seeing the FC Han video, I have to wonder how long it’s going to be before I make the jump to cartooning entirely digitally.

So many guys already do it, I sort of feel behind already. And I have all the tools, but there’s something about the tactile experience of my brush pen on paper that’s so immediate…

To be fair, when I work in Photoshop I usually have a ton of other programs open and running, so my poor processor is working as hard as it can. Still, I do like ink.

I dunno how, when, if I’m going to make the leap, but seeing elegant technology like this coming so fast, I think it’ll be sooner rather than later.

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The Future of Gag Cartoons

Future

Mike Lynch was kind enough to point out a really interesting post from Scott Kurtz about possible future webcomic/traditional comic hybrids. (Just keep it away from the Cylons!)

It got me thinking about the future of my own often ignored little corner of the cartoon world.

Not so much about content per se; I’m not concerned with being topical or following the current humor flavor. But delivery, marketing, technology… That’s the stuff that fascinates me most.

Myself, a number of other cartoonists, and, of course, the 800 pound monocle, have found ways to earn a living online, or, at the very least, supplement traditional revenue streams. But I’m always wondering what’s next…

That iPhone looks promising. I think it’s probably the first device of its kind that would make reading comics and cartoons on your cell easy and enjoyable. Is there a market there? Will people pay for it? Is it more of a marketing tool to get people to your site?

There’s a lot of cartoon stock houses online, and I’ve considered expanding Andertoons similarly, but how can that system be improved? More cartoonist control? More user interaction? Do I even want to go there?

What about animation? I worked in Flash for a few months to varying degrees of artistic success, but do gag cartoons translate well? Would a static image with an audio track suffice? How much animation is enough?

Got me, but I can tell you one thing, if there’s a leading edge of gag cartooning, that’s where I’m most interested in being.

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2006 Wrap-up

Wow, what a year!

A blogging look back:

January – I finally have an office. And it’s really clean!

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February – I ask a book reviewer to kiss my ass again.

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March – Bug Catcher Spidey!

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April – I’m an April fool for baby Bonnie!

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May – My first Reubens! (Day one, two/three, pics)

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June – Andertoons e-commerce debuts! My inbox and Paypal account take some much needed time off.

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July – My son – cartoon prodigy.

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August – Hanging with the crazies at Wizard World.

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September – I made it there; I can now make it anywhere. (NY day 1, day 2 & 3)

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October – Andertoons hacked!

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November – Mmm… Andertoons…

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December – Christmas pin-up.

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Looking back this way has been a ton of fun for me personally. My wife and I were discussing the year this morning and I think it’s probably one of the busiest, if not THE busiest, year for the Anderson clan.

So much good stuff, and so much that I’m so thankful for.

Here’s to more good friends, good health, and good humor in 2007!

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