I think every cartoonist is sooner or later asked “what kind of pen do you use?”
My normal response is usually that there is no “right” or “best” pen. Each cartoonist finds, usually through years of trial and error, the correct tools for themselves. Some prefer pen and ink, some like the cheapest ballpoints. (And remember, even the best art needs good writing first.)
But I also remember starting out, getting answers like that, and wishing I’d gotten a different answer; or at least a place to start. And it’s in that spirit that I’m going to go through pretty much everything in my office and explain how and why I use it.
Just remember, your results may vary.
For sketching I use a 24 pound bright laser paper. Pretty much whatever is on sale. I could certainly go cheaper, but I like the way that combination feels to me.
For final art I use Borden & Riley bleedproof paper for pens. It’s economical, and it stands up well to marker saturation.
I try to fit as many cartoons on a single piece as I can and then cut them out for scanning. You end up with all sorts of oddball shapes, but since I’m creating for reproduction, I don’t much care.
I’m really picky about my pencils, and ForestChoice #2‘s are my hands down favorites. They work great, feel great, sharpen great, they’re just perfect! I buy the 144-count box.
If you like pencils like I like pencils, do yourself a favor and try these. They’re so good!!
I use a few different pens for the final art: a Faber-Castell Pitt Artist brush pen, and varying thicknesses of Pigma Micron pens. Both stand up well to my punishingly heavy hand, stay black, and dry quickly, which I have to have because I work really fast.
I’ve used Prismacolor cool greys for years and years, but lately I’ve been opting to use some virtual markers I created in Photoshop from scans of my Prismacolors on the Border & Riley paper. They’re not quite the organic feel of the real thing though, so I’m kind of on the fence here.
I preface this with the reminder that for probably half of my career I worked hunched over a coffee table in our living room. But when we moved to a larger house and I got an office I splurged on this Alvin drafting table. It’s nice to be able to work without sitting on the floor.
And while we’re talking about sitting, my Swopper stool was another I’ve-got-my-own-office splurge. It takes a little getting used to, but my back continues to thank me.
The way I work is to do a messy sketch, and then ink over it on my light desk. For years I used a much bulkier one, which was sort of hard to work on with my table, so this newer thinner LightPad is a Godsend. I still have trouble making the back “sticky” enough to store it on my desk though.
Your standard sturdy Luxo combo. This thing is awesome and I adore it.
I’ve waxed poetic about my Mac before, and usually someone chimes in and tells me I’m paying for the name and I’m a jerk and all that. But when my last iMac had 2 weeks left in AppleCare, and the Genius Bar couldn’t figure out my problem, they gave me a brand new iMac and a new AppleCare to go with it. No questions asked.
Apple, you had me at hello.
BTW, I also run a MacBook, 2 iPads and an iPhone. Call me a fanboy, it all works.
I had my last Canon scanner for more than 10 years, and I loved it dearly, but this fall it finally scanned it’s last Andertoon. I replaced it with another CanoScan and the results are just as good in like 1 third of the time:
I also run this Fujitsu ScanSnap for auto scanning reams of paperwork, receipts, and cartoon cards. Love it!
Wacom Intuos 3
I still do so much work with actual ink on paper that I have yet to pony up for a Cintiq a new Intuos, or that Inkling thing. But when I need it, it’s a reliable workhorse. I couldn’t get along without it.
I have some sort of bundle of CS5 stuff, most of which I rarely use. I’m also betting that I use only about 5% of what Photoshop is capable of, but there you go. I did do some playing around in Flash a while back, and occasionally I poke my head into Illustrator to change some line art into vector, but mostly it’s a lot of Photoshop layer coloring, resizing, etc…
So that’s it. That’s what I use to create my cartoons. Someone just starting out certainly doesn’t need all of this. Pen, paper, and a computer with a scanner is pretty much the minimum though.
(Just in case you’re curious, here’s a video showing how I draw my cartoons, and here’s a more in-depth look at my cartooning process.)
So, what tools do you use?
It’s difficult to believe, but I’ve been blogging for over seven years now. That’s a long, loooong time. In fact, when I began my developer wasn’t yet familiar with the word “blog.” And every so often I think it’s a good to take a step back and take a critical look at what this blog is and should/could be. (Stick with me, the list of awesome cartoon blogs is coming right up.)
So recently, in addition to completely revamping the site, I’ve been rejiggering how and what I present here at the Andertoons Cartoon Blog. For a while I was blogging a wider range of interests in an effort to connect more personally with readers, and I think I’ve done that. (But just in case, I really like jazz trombone and LEGO.) But I think it’s time I got back to blogging more about cartoons.
My idea is this – blog less often, but more in depth, and mostly about cartoons. I’m tentatively looking at about one blog per week. (Probably on Tuesdays, but don’t hold me to that.) Occasionally it will be more, sometimes less, but when I write I’m going to really write.
But I don’t want to leave you out in the cartoon blog cold the rest of the week, so I’m going to recommend five additional totally amazing cartoon & comic related blogs you should read, and one awesome guilty pleasure.
(Note – a lot of these cartoonists are friends or acquaintances of mine, but I never said it was unbiased. So there.)
Mike’s long-running blog is a must read for any cartoonist or fan of cartoons. Honestly, there’s so much great stuff here it’s almost a crime to point out only a few notable posts, but here’s some current standouts to peruse:
- Happy 100th Birthday, Charles Addams
- THE NEIGHBORS by George Clark
- GRIN AND BEAR IT by George Lichty
Mike’s not only a cartoonist at the top of his game (and my brother-in-ink), he pretty much knows everyone and everything related to cartoons. Put Mike’s blog in your RSS reader ASAP!
Alan Gardner does a really great job of digging up all kinds of cartoon news, presenting it clearly and succinctly, and, in what I’m assuming is a massive undertaking, keeping his commenters on-topic and mostly civil. Some recent must-reads:
- Terrible events happen. Not really, it’s just Gil
- Richard Thompson on Ronald Searle influence
- Another voice against Thomas Nast nomination
Wanna keep up on pretty much on all the latest cartoon happenings? Check out The Daily Cartoonist.
Covering the world of comics thoroughly and entertainingly is Comics Alliance. There’s just gobs of new, deep, and downright fun stuff here almost constantly. A few newish notables:
- The Gritty Digital Art of Zulkarnaen Hasan Basri Sticks a Symbiote on Tony Stark [Art]
- Chip Kidd Presents ‘Batman: Death by Design’ to Designers [Art]
- Villains Attack in Fan’s Spider-Man Themed Bathroom
Laura Hudson and crew deserve top bookmark billing in any comic fan’s browser. Do it now!
So far I’ve featured blogs covering what can be considered the traditional mediums of cartoons, comic strips, and comic books, but the world of webcomics, if it hasn’t already become mainstream, is well on its way. And Brad Guigar’s Webcomics.com is a terrific guide. Here’s some fresh examples:
A quick note that this is the only entry here that charges for its content, but if you’re really serious about succeeding online it’s money well spent. Check it out and you’ll see what I mean.
5. Cul de Sac
If you’ve by chance missed every other glowing review of Richard Thompson’s Cul de Sac, I think you could trust Calvin & Hobbes creator, Bill Watterson, who said, amongst other heady praise, “The artwork in Cul de Sac bowls me over.”
Even better, we all get an inside look at the Cul de Sac blog! A few of my recent faves:
Do not miss!
And last but not least, my favorite guilty pleasure:
I’m not sure I completely understand what makes Tumblr different from regular blogs, but there seems to be a whole host of these F**k Yeah Tumblrs. That being said, I love, no, LOVE Bruce Timm‘s art! So a constant stream of Timm awesomeness? I think F**k Yeah Bruce Timm about sums it up. A few recent posts:
OK, well that wraps it up. Please be sure to give each blog a try, and be sure to stop in each Tuesday (or even better, subscribe to my RSS feed) for more Andertoons Cartoon Blog goodness!