Ch-ch-ch-ch-ch-Changes!

Part of being a cartoonist is drawing holiday cartoons during the Spring and/or Summer months.

Generally magazines, greeting cards and such are working at least 6 months ahead if not more, so I get to ponder jokes about Santa Claus while I’m getting the grill ready to go for the season.

It’s weird, but you get used to it.

Recently I’ve been selling more and more greeting cards, and unlike most of my gag markets, they require color. I normally re-ink the cartoon from scratch rather than trying to remove my gray shading in Photoshop. I find it comes out a lot cleaner.

Anyway, a card company bought some of my older Thanksgiving stuff and I ran into sort of a weird little problem. Here’s the original art as I submitted it:

1803Old

(You can go here for the gag…)

This one is from much earlier in my cartooning career before my current style had set in.

Note the lack of noses on some characters, and the awkward nose experimentation on the others. The whole thing is kinda on a goofy angle too. And why I chose to cut the door on the left at that conspicuous angle I don’t quite know.

Anyway, here’s the problem: The greeting card company liked the cartoon and bought it, but I don’t draw that way anymore. Do I redraw it in my current style, or redo what I’d done before, even though I’m not happy with the art?

In the end I decided to keep the same angles and basic composition, but updated the characters and line to my current style. Here’s the line art:

1803New

And here it is in color:

1803Color

Not bad in the end, but it does make you rethink sending out older art. Sure it’s salable, but do I want the hassle?

I know some cartoonists go back and redo older cartoons in their current styles, but, honestly, once I’m done with a cartoon I don’t even like revisiting it to color it for a paying client.

Anyway, here’s hoping they like the final product…

See some thanksgiving cartoons at Andertoons

Technorati Tags: ,

Computers Hampering Traditional Drawing?

Images

I’m a big computer nerd. I spoke at length to my sweet patient wife yesterday about Apple’s new Boot Camp and, God love her, she pretended to be really interested.

I use Photoshop daily, I’ve dabbled in Corel Painter and I’m currently slogging my way through some GoLive training DVDs. But apparently as much as I rely on and enjoy using my tech toys, all those hours doodling in study hall served me well.

There’s a story over at CNN today about how art students’ basic drawing skills are lagging, perhaps due to more time with a mouse than a marker.

“I see an increasing passivity on the part of students,” says Marc Treib, a University of California, Berkeley architecture professor who hosted a recent conference on the state of drawing in an electronic age.

Computer graphics allow artists to move briskly. By contrast, drawing on paper can be frustrating, forcing concentration, introspection and revision as an idea or vision takes shape. The process hones essential skills and sensitivity and personality that make artwork unique, instructors say.

I gotta say I agree, especially on the personality angle. I spent years refining my happy accidents into what I hope is a very personal style of drawing.

While art instructors may lament drawing skills of today’s students, they are not dissuading students from developing digital skills. The trick is to improve drawing to develop a solid foundation for digital skills, says Charles Pyle, director of the School of Illustration at the Academy of Art University.

“If you don’t draw and think well, your art career will be short and unpleasant,” Pyle says. “The basics serve the digital end and give the kids a vastly superior portfolio when they leave here.”

Ding ding ding! I think you’d be insane to not use the wonderful new tools available, but great tools do not make great art by themselves.

I’m reminded of fellow musicians in college so crazed by the pursuit of the ultimate horn, mouthpiece, etc… that they never really mastered a basic embouchure or decent breathing. (I have a Bachelors in jazz trombone for those of you playing at home.) Good, even professional, equipment is a good start, but that’s all it is.

Apparently, though, not all is lost…

Still, traditional drawing by itself can pay off. While students are shelving sketchbooks for laptops loaded with graphics software, collectors are snapping up drawings.

“There is a high demand for works on paper,” says Alex Rotter, a vice president of the contemporary art department at Sotheby’s in New York. “Some people prefer the sensibility of a drawing.”

Price is another reason for the demand. Drawings are cheap compared with paintings and sculptures. Drawings by up-and-coming artists can be bought for about $1,000.

Drawing is easy on the pocketbooks of artists as well. Materials are inexpensive and it does not require much studio space, reasons an increasing number of artists are concentrating on creating works on paper.

See, just when markets appear bleakest…

Anyway, I’m not one of these guys that will tell you “I draw all the time! I’m just compelled to doodle! I always have a pad of paper with me for when I get inspired!” I pretty much just doodle while I’m on the phone any more, but it’s valuable time spent; like playing in a mud puddle, or singing in the shower, or just daydreaming.

Hmm, now that I say that, I gotta go waste/invest some time with my coffee on my patio.

See some computer cartoons at Andertoons

Technorati Tags: ,

New Garfield Trailer is Hysterical

Trailer

OK, I know I badmouthed the last Garfield movie a lot, but I gotta admit this new trailer for Garfield 2 has me rolling in the aisles! Honestly, I can’t stop watching it!

It looks like Davis has gone back to the thoughtful subtle Garfield comedy that millions of readers like myself enjoy every day.

Kudos! And kudos again!

Technorati Tags: , ,