Original Cartoon Art

Artincartooning

I just picked up an almost perfect copy of The Art of Cartooning (1975). The listing on Amazon mentioned several artists had signed the inside cover, but didn’t give any names. Imagine my surprise to find the following:

Aic1

Aic2

Aic3

Aic4

Aic5

I think the Gahan Wilson is my favorite, but the Ziegler is a close second.

It looks like this book was purchased at some sort of signing on 5/1/76 by Barbara someone.

Anyway, it was already one of my favorite books of/on gag cartoons, and this particular copy now has a special place on my new shelves.

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“Complete New Yorker” Crippleware Workaround

A while back I wrote a bit about “The Complete New Yorker” and some copyright issues. Well, apparently that’s not all that’s wrong with what should’ve be a landmark volume.

Boing Boing links to some solutions to the DVDs’ confusing “crippleware” that, among other things…

…requires you to waive your privacy rights to allow “the collection of your viewing information during your use of the Software and/or Content. Viewing information may include, without limitation, the time spent viewing specific pages, the order in which pages are viewed, the time of day pages are accessed, IP address and user ID. This viewing information may be linked to personally identifiable information, such as name or address and shared with third parties.”

And that’s not all.

The same terms-of-service grant you the right to make a backup copy for personal use, but the anti-copying technology prevents you from doing this…

The user-agreement says that if you don’t like this, you can return the set, but of course, every retailer has a policy of not accepting returns of opened software, and that includes the New Yorker. Naturally, you can’t read the agreement until you open the software and put the disc in your computer. Nice one.

Yeesh! What the hell is going on over at the ol’ monocle?!

Please note – I do not in any way suggest you disable their protections, but it’s nice to know you can.

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“Complete New Yorker” Sets Dangerous Precedent

This is all over the blogosphere today re: “The Complete New Yorker”:

The WSJ reports that…

“…when a magazine wants to republish a free-lance work in a new and different format, the free-lancer must be compensated accordingly, two more-recent court rulings have found. That means when republishing articles on DVD or other digital formats, magazines must pay free-lancers again, get their permission to republish free — or preserve the original print context. The New Yorker’s solution was to scan the original magazine pages onto DVDs.”

So as long as they scan in the entire page, they don’t have to pay for further usage.

Methinks the monocle is biting the hand that fed it; not to mention the possible implications for Google’s recent en masse book scanning.

It’s a scary time to be providing content…

(Thanks be to Comics Reporter and Boing Boing.)

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X-Ray Sea Monkeys With Real Footlocker!

Looks like I’ve got another book to ask the library to purchase. (One of the benefits of having the second largest library in the state right down the road.)

Recommended by The Mad Professor, Hey Skinny!: Great Advertisements from the Golden Age of Comic Books looks like a hoot.

I remember longing to buy those sea monkeys, whoopee cushions and x-ray specs that I knew deep down in my 8-year old gut would make me the envy of all the other boys.

I’m hoping it will be half as good as Cheap Laffs : The Art of the Novelty Item which was another inspired library acquisition.

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Comics’ “Low Culture”

Mark Luce’s review of The Complete Calvin and Hobbes in today’s Kansas City Star is pretty much your standard "huge book" "groundbreaking strip" "timeless classic" blah blah blah that I’m assuming most reviewers are filling their respective papers with lately.

And it’s all true.  I dare you to find a cartoonist who doesn’t adore and admire Watterson’s transcendent achievement.  And I’m thrilled to see the complete collection so lovingly realized.

But what struck me in this particular review was this quote:

"Watterson uses the lowest of culture (comics) for decidedly intellectual dialogue."

Well crap…  Low culture.  Had I known that I’d have never gotten into cartooning!  Someone better tell The New Yorker they’ve been had.

You know I could rant for pages about this, but I’m gonna sum it all up with my own low culture; Hey, Luce!  Kiss my ass!

(BTW, should you agree, drop him a line…)

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