Writing Cartoons – 9 Ideas For Generating Ideas

At the Success in Comics seminar a few weeks back, someone asked me if I considered myself more of an artist or a writer. I answered that I considered myself a writer first and that the art was like the cherry on the sundae. (Or something like that. As I said, it was a few weeks ago.)

With the launch of my cartoon subscriptions recently, I’ve been writing a lot to keep putting out healthy batches of new cartoons each week. And it’s not always easy, but I’ve learned a few tricks over the years to jumpstart my brain a bit and write what I hope are good cartoons consistently:

The Paper –

Writing Cartoons - Paper

While I get almost all of my news either on the radio or online, I still subscribe to the Chicago Tribune. Papers pile up in my office and this stack is usually the first place I go if I’m stuck.

I read pretty much anything, even if it’s not interesting to me, because you never know where you’re going to find that word or turn of phrase that you can play with.

Dictionaries –

Writing Cartoons - Dictionaries

I have a few different dictionaries of phrases and idioms that are great if I need to do a bunch of cartoons on, say, eggs:

  • Walking on eggshells
  • Egg on your face
  • Egg him on
  • Don’t put all your eggs in one basket

See? There’s at least some places to start.

Flipboard & Zite –

Writing Cartoons - Apps

I love my iPad, and Flipboard makes keeping on top of blogs and tweets and all that quick, easy, and beautiful. Zite is a more recent addition and, while it reminds me of Flipboard, it gives me a whole different bunch of interesting content.

LIke the paper, you never know where the treasure is buried, so with either app, it’s good to just read.

Sentence Examples –

Writing Cartoons - Sentence Examples

A more recent find, Sentence Examples is, well, just that. You can either search for a word like “cow”, or you can just browse around to see what strikes your fancy. It’s good for looking at words in context from all sorts of different angles.

Twitter Timeline –

Writing Cartoons - Twitter

I’ve got a lot of followers on Twitter, and I often have Tweetbot up when I’m working. I’d forgotten to close it while writing the other day and glanced up and saw a comment in my timeline that led to a really good cartoon. I tried it again a while later and had another random inspiring moment. I don’t know if this will continue to bear fruit, but right now it’s a great source.

Chon Day –

Writing Cartoons - Chon Day

When I’m really stuck and feeling low I pull out some Chon Day and just marvel at what an amazing cartoonist he was. Sometimes it gets my gears turning, sometimes not, but it’s always inspiring.

Idea Box –

Writing Cartoons - Idea Box

Although it’s been more difficult to keep full recently, I normally write my ideas down on scraps of paper and toss them into what I’ve dubbed my Idea Box. Ideas generally sit in there for a few weeks and then, when I’m ready to draw, I pull a bunch out and see them with fresh eyes. If they’re still good, they get drawn up. If they’re not so good, often I can see where I went wrong or another take on the same idea. And I like the thought of all those ideas sort of marinating together for a while.

Get Up –

Writing is a lot of sitting and staring. A lot of sitting and staring. And for the most part I’ve gotten comfortable with putting in the time. But sometimes when nothing is working I find getting up and doing something else will knock some ideas loose. Do some dishes. Vacuum. Go for a walk. You’ll be surprised at how a little movement will get things moving.

Give Up –

When all else fails, sometimes you just have to put it down and come back another day. It’s hard not to be disappointed or feel defeated, but I try to look at it like I’m priming a pump. And almost always the next day the ideas start flowing again.

So there are some of the techniques I use to keep writing cartoons. Any other suggestions you’d care to share?

Here’s a few more posts on writing cartoons:

Success in Comics 2013

Success In The World of Comics Seminar 2013

Last weekend I was lucky enough to be one of the presenters at Tundra Comics3rd Sorta Annual Success in Comics Seminar. (I also presented at the first seminar back in 2009.) Other speakers included Tom Gammill, Tom Richmond, Amy Lago, Jeff Keane, Stephen Silver, Ed Steckley, Mark Simon, Tim Brennan, and, of course, Bill Kellogg & Chad Carpenter.

If you want a great full accounting of the entire weekend you should totally check out the Daily Cartoonist’s coverage, but I thought I’d share just a few of my favorite moments:

Chad and Bill started things off talking about self-syndicating Tundra into over 500 newspapers. (I mean, come on, that’s amazing!) I think the thing here that most bears repeating is the idea that you shouldn’t wait for success. Not syndicated? Can’t get into the New Yorker? No one wants to publish your book? Don’t wait, do it yourself.

Also, be professional. Be nice, hit your deadlines, it’s a business.

I was surprised by Amy Lago‘s presentation. I know people are concerned about what kids might read in a newspaper comic (are kids even reading newspaper comics?) but “bite me” isn’t allowed? And it sounds like syndicates basically aren’t launching new strips currently. So if you’re pinning your hopes on a syndicate contract, see Tundra’s advice above.

Tom Gammill was all kinds of entertaining, and I thought his technique of using cartoons to pitch ideas was pure genius. And keeping an informal journal of little things that make you happy/sad/angry/anything is a great idea for generating material later.

Here’s just a bit of Tom’s TV writing:

Isn’t that great?

Mark Simon has some really good ideas for self-promotion. One thing that I was glad to have confirmed was sending links to your material instead of attachments.

The next day began with Mad’s Tom Richmond who was, I think, the only one there who actually went to an art school. Unfortunately they frowned on cartooning so he paid his cartoon dues doing live caricatures. More good reminders from Tom on being professional and making yourself easy to work with.

Unfortunately the last person I was able to see was Stephen Silver who gave a really inspirational talk. The part I liked best was if you figure you really get started career-wise at around 30, and you’d like to retire at 65, you’ve got just over 10,000 days to work within. Make every day count! (And a huge thanks to Stephen for the advice on my brush pen nibs!)

It was at this point that I had to leave to catch the plane home so we could pick up the kids, but The Daily Cartoonist has plenty on Jeff Keane, Tim Brennan and Ed Steckley.

I wanted to take a moment to say thanks again to Chad & Bill for having me. This is something I wish I could have attended when I was starting out. Also, a big thanks to Mark for making my presentation work. And thank you so much to all of the attendees I met! I hope I gave you a good talk, and I had a great time chatting with all of you!!

How To Draw A Cartoon Polar Bear – Tutorial

Polar Bear GIF

It’s really cold out today, so to kick off a new year of How-To-Draws I thought we’d do a polar bear! And, in addition to the familiar step-by-step instructions below, this year I’m adding step-by-step GIFs too!

When you’re finished, feel free to tweet, pin, email or otherwise share a pic of your cartoon polar bear with me and I’ll post it over at Pinterest! And if you’d like to grab the GIF and/or the tutorial to post on your own blog or website, you’re more than welcome to. (A link back would be appreciated.) Enjoy:

How to draw a cartoon polar bear

Easy, right? You should try out my other how-to-draw tutorials too! Here’s just a few:

Feel free to check out my bear cartoons too!

Sign Up for the Success in the World of Comics Seminar

Success In The World of Comics Seminar 2013

Just a reminder that I’ll be speaking at the 3rd Annual Success in the World of Comics Seminar Feb 16 & 17 in Annapolis.

Other speakers are Tom Gammill, Tom Richmond, Amy Lago, Jeff Keane, Steven Silver, Ed Steckley, Mark Simon, Tim Brennan, and, of course, Bill Kellogg & Chad Carpenter.

At $375 for the seminar and $99 for the room this is a total must attend. Hope to see you there!