Andertoons Exclusive: Classic “Love Is …” Cartoon Panel to be Collected in New $300 Two-volume Slipcased Leatherbound Limited Edition


Kim Casali’s classic “Love Is …” cartoon panel, lovingly continued by her son Stefano, has been collected for the first time in its entirety in a hardcover, two-volume slipcased limited edition. This project, years in the making, will delight the millions of fans of this long-running panel. The limited edition, signed by the Stefano Casali and artist Bill Asprey, will arrive in select bookstores nationwide in May, with a regular hardcover edition following in August. You can preorder at Amazon.com.

April Fool!

What Are You “Reading?”

Let’s take a look at the pile of books and papers next to my bed. Here’s pile #1, on top of the bedside table:

* THE WORLD OF MR. MULLINER by Wodehouse
* BATMAN AND ROBIN, a British paperback with some 1940s adventures by inky Bob Kane and Jerry Robinson
* NEW YORKER
* The new BUD PLANT catalog which mocks my pitifully dismal disposal income
* THE BEST OF CLARENCE DAY — which is usually next to the bed or on the floor; somewhere nearby
* ANNE OF AVONLEA — wait — how did THIS book get on my side of the bed?!?!
* DEAR BESS, Harry Truman’s letters to his wife — there’s always a Truman book nearby
* TRY AND STOP ME by Bennett Cerf

And then there’s pile #2 on the floor, the one with some guilty pleasures:

* THE RAND MCNALLY 2003 ATLAS
* THE NEW YORK TIMES BOOK REVIEW
* THE CARTOONIST’S AND GAG WRITER’S HANDBOOK by the one and only Jack Markow
* LITTLE LULU: LULU GOES SHOPPING, the new Dark Horse collection of early Lulu comics
* EPILEPTIC by David B., a new graphic novel worth checking out
* DUNC & LOO comic book from the 1960s by John Stanley, same guy who wrote a ton of the Little Lulu comics
* GREAT CARTOONS OF THE WORLD 5TH EDITION
* GIANT SUPERBOY ANNUAL (1964)

And which was the one I actually read most recently?

Oh yes! I had to read about Clark Kent’s first haircut. As we all know, Kryptonians’ hair is invulnerable to cutting! So a suspicious Smallville barber thinks Clark Kent is Superboy since the kid NEVER comes in for a haircut and Smallville is so danged small that this guy is, like, the only barber and seems to have a lot of pull with the locals. So, Superboy programs a robot (Yes, a ROBOT “from a magazine blueprint! Of course, mine will work on a super-scale.”) to go and get the haircut to prove that he’s a, uh, regular vulnerable-hair-growing-earth-kid.

This doesn’t work. The robot short circuits. Pride goes before the fall, Mr. Super-Scale-Kent! So, Superboy exiles the nosy barber to the Phantom Zone, never to be seen again. No, not really. Clark Kent puts on a skin-head wig and then a toupee. The barber cuts the toupee, realizes it’s a piece and Clark lies, telling him he (Clark) is bald. Barber: “You must’ve had one of those childhood diseases that made you lose your hair!”

Why Clark didn’t just say, “my mom cuts my hair” or I have a Ronco Suck-n-Cut home-styling machine, I don’t know! Regardless of the grand silliness of the plot, there’s some great art by long-time Superman/Superboy artist John Sikela.

When Worlds Collide: The Edward G. Robinson/Dick Van Dyke Show SNAFU


Oh yeah, the Gold Key DICK VAN DYKE comic book. And there’s Millie and Jerry and Mel and Buddy and Sally and Mary and Edward G. Robinson! Say wha —? Above Mr. Robinson’s head is a real cover of the real comic book. The one and only Mark Evanier has written a great story about how Edward G. Robinson wound up in the world of Dick Van Dyke here. Please read for lots of large laughs!

And join me next week when Pickles will be played by Judy Holliday!

“A Comic Strip Reveals a Secret to a Pretty Girl Artist in DEATH DRAWS THE LINE”


“Death mysteriously strikes down top-flight cartoonist — twelve unpublished comic strips disappear — a nude woman holds a supernatural rendezvous in a dead man’s studio — a blue sedan roars down upon two persons in a cab … purpose: death for two — and murder strikes again and again in this exciting mystery which reveals some unusual trade secrets of the men who create newspaper comic strips.” Ooh! Yup, just another day in the life of a cartoonist!

Now, why isn’t this old Dell paperback still in print? It’s got a wonderful cover by artist Harry Barton. Dig her pearls and nice hairdo! She’s high maintenance. This guy’s strip must’ve been in 2000+ papers for her to be that well-coifed!

From Chapter 3, “Cartoonist in a Tailspin:” ” … it got so he was too drunk most of the time to do the drawing.”

You see? One of the trade secrets revealed! “Drawing While Drunk” is one of the regular symposiums at the Cartoonists Association. Why, this tale is as contemporary a story as when Mr. Iams wrote it in 1949!

OK, now I know. It’s right there on the back cover. Cartoonist “Zeke Brock’s” apartment is in the West Village. This ruins the believablity! This is back when a cartoonist could afford to live in Manhattan!

Charles Schulz: Middle-Class Genius

Sparky

There’s a wonderful article over at New York Press on Sparky:

“…Charlie Brown was not serious. He was earnest. He believed in things—such as that Lucy would someday hold the football still so he could kick it. When I read “Peanuts” at length, something inside me says, “Yes, this is us!” only to raise my eyes, find it is no longer us and grieve. It’s a jolt to see the suburban vision as nostalgic. When the detritus of the 20th century is collected, sifted and pondered, suburban American childhood will emerge as the utopia we didn’t love until it left. And Charlie Brown will remind us.”

It’s a great read! Check it out!