Good Bye


When awakened by Burckett with my morning cup, I was reminded that all good things come to an end.


I informed my third-world staff that we’d be getting back to cartoon business as usual. Mark: Accounts Receivable hasn’t gotten the blog payment you mentioned. Please have your people sort it out with my people.

And here I am, high above my compound. Let’s not say this is goodbye, let’s just agree to meet again one day, in the happy land of Andertoons!

My thanks to Mark for this very fun opportunity. I’m honored to have walked in your bloggin’ shoes, mate!

Andertoons Exclusive: Classic “Love Is …” Cartoon Panel to be Collected in New $300 Two-volume Slipcased Leatherbound Limited Edition


Kim Casali’s classic “Love Is …” cartoon panel, lovingly continued by her son Stefano, has been collected for the first time in its entirety in a hardcover, two-volume slipcased limited edition. This project, years in the making, will delight the millions of fans of this long-running panel. The limited edition, signed by the Stefano Casali and artist Bill Asprey, will arrive in select bookstores nationwide in May, with a regular hardcover edition following in August. You can preorder at Amazon.com.

April Fool!

What Are You “Reading?”

Let’s take a look at the pile of books and papers next to my bed. Here’s pile #1, on top of the bedside table:

* THE WORLD OF MR. MULLINER by Wodehouse
* BATMAN AND ROBIN, a British paperback with some 1940s adventures by inky Bob Kane and Jerry Robinson
* NEW YORKER
* The new BUD PLANT catalog which mocks my pitifully dismal disposal income
* THE BEST OF CLARENCE DAY — which is usually next to the bed or on the floor; somewhere nearby
* ANNE OF AVONLEA — wait — how did THIS book get on my side of the bed?!?!
* DEAR BESS, Harry Truman’s letters to his wife — there’s always a Truman book nearby
* TRY AND STOP ME by Bennett Cerf

And then there’s pile #2 on the floor, the one with some guilty pleasures:

* THE RAND MCNALLY 2003 ATLAS
* THE NEW YORK TIMES BOOK REVIEW
* THE CARTOONIST’S AND GAG WRITER’S HANDBOOK by the one and only Jack Markow
* LITTLE LULU: LULU GOES SHOPPING, the new Dark Horse collection of early Lulu comics
* EPILEPTIC by David B., a new graphic novel worth checking out
* DUNC & LOO comic book from the 1960s by John Stanley, same guy who wrote a ton of the Little Lulu comics
* GREAT CARTOONS OF THE WORLD 5TH EDITION
* GIANT SUPERBOY ANNUAL (1964)

And which was the one I actually read most recently?

Oh yes! I had to read about Clark Kent’s first haircut. As we all know, Kryptonians’ hair is invulnerable to cutting! So a suspicious Smallville barber thinks Clark Kent is Superboy since the kid NEVER comes in for a haircut and Smallville is so danged small that this guy is, like, the only barber and seems to have a lot of pull with the locals. So, Superboy programs a robot (Yes, a ROBOT “from a magazine blueprint! Of course, mine will work on a super-scale.”) to go and get the haircut to prove that he’s a, uh, regular vulnerable-hair-growing-earth-kid.

This doesn’t work. The robot short circuits. Pride goes before the fall, Mr. Super-Scale-Kent! So, Superboy exiles the nosy barber to the Phantom Zone, never to be seen again. No, not really. Clark Kent puts on a skin-head wig and then a toupee. The barber cuts the toupee, realizes it’s a piece and Clark lies, telling him he (Clark) is bald. Barber: “You must’ve had one of those childhood diseases that made you lose your hair!”

Why Clark didn’t just say, “my mom cuts my hair” or I have a Ronco Suck-n-Cut home-styling machine, I don’t know! Regardless of the grand silliness of the plot, there’s some great art by long-time Superman/Superboy artist John Sikela.

When Worlds Collide: The Edward G. Robinson/Dick Van Dyke Show SNAFU


Oh yeah, the Gold Key DICK VAN DYKE comic book. And there’s Millie and Jerry and Mel and Buddy and Sally and Mary and Edward G. Robinson! Say wha —? Above Mr. Robinson’s head is a real cover of the real comic book. The one and only Mark Evanier has written a great story about how Edward G. Robinson wound up in the world of Dick Van Dyke here. Please read for lots of large laughs!

And join me next week when Pickles will be played by Judy Holliday!

The Explaining Hand — A Cartoonists’ Obsession

I was chatting with some cartoonists and we were talking about the over-reliance on this gesture. Once you start looking for it, you see it a lot. A character is talking, usually some kinda expository dialogue, and the cartoonist draws him/her with this hand out, palm out “explaining hand” gesture.

Above, kind and sweet syndicated cartoonist Stephanie Piro and slob magazine cartoonist Mike Lynch demonstrate the technique used.

There are some other choices, more interesting choices that the cartoonist could have made, but the explaining hand is old reliable. Here are examples from 6 syndicated features dated March 29:

I see it a lot and it’s getting cliched. Or maybe I’m the only one seeing it. Maybe I’m the only one obsessing over it. Maybe I need to get out of my Brooklyn apartment and live life. Oh, who the hell am I kidding? It’s gorgeous out there today, but blogging about all things cartoony must continue! I apologize for mentioning the outside world. Let’s get another cup of coffee and continue to ruin our posture hunched over the computer. Onward!

The king of the gesture’s gotta be the new strip GIRLS AND SPORTS, using the EH a dozen times in the 5 strips below.

And I’m guilty of it too …

Glad that’s outta my system. Maybe you’ll all start obsessing about it now. Yeah, that’s it! If I passed my obsession on to you, then this has all been worth it!