Thanksgiving Cartoons

Well, tomorrow is Thanksgiving, and, yes, I’m taking the easy way out with today’s blog and presenting some of this year’s Thanksgiving cartoons!

Every year I hear about how turkey and milk and all that creates the chemical tryptophan that makes you sleepy and I thought of this Thanksgiving cartoon.

Looking back, I really needed to redo this Thanksgiving cartoon and make the nametags bigger. (Every turkey is wearing one that reads “Hi, I’m Tom.”)

This Thanksgiving cartoon appeared last month in Good Housekeeping and is my favorite of the bunch this year.

And this Thanksgiving cartoon showed up in American Legion Magazine.

And finally, this Thanksgiving cartoon makes me laugh simply because it contains the phrase “creeps me out.”

Well, that’s it. I won’t be posting tomorrow as my stomach will probably be too large for me to accommodate the laptop.

See you on Friday!

“A Charlie Brown Thanksgiving” – Review

Broadcast first in 1973, A Charlie Brown Thanksgiving isn’t on the same level as It’s the Great Pumpkin, Charlie Brown or A Charlie Brown Christmas, but it’s certainly no It’s Flashbeagle, Charlie Brown, Snoopy’s Getting Married, Charlie Brown or Welcome to Puberty, Charlie Brown either. (OK, I made that last one up.)

The story revolves around Peppermint Patty inviting herself, Marcie and Franklin over to “Chuck’s” house for Thanksgiving dinner. (IMDB will tell you Charlie Brown invites them, but don’t you believe it!)

Of course Charlie Brown can’t cook and won’t cancel, so Linus, Snoopy and Woodstock pitch in to create a Thanksgiving feast out of toast, popcorn, pretzels and more toast. (Ahhh… the pre-Atkins days…)

Peppermint Patty throws a fit, but eventually send Marcie to apologize for her and we all learn the true meaning of Thanksgiving.

The special includes the standard great Guaraldi music, as well as his funky “Little Birdie.” (I dare you to not dig this song. I dare you!)

The DVD also included “The Mayflower Voyagers” but I declined to watch it.

Watching this film a few questions thoughts popped into my head and, with your permission, I’d like to pop them back out:

1) What is it with Patty’s crush on Charlie Brown?! I’m not the first to say this, but I’d always figured she was more interested in Marcie. (I’d also like to say that I think Marcie and Charlie Brown would make a charming couple.)

2) Notice that when they’re all sitting at the ping pong table for dinner that Franklin is forced to sit all by himself on one side, while four other characters sit on the other. What the hell!? If I was Franklin I’d call the NAACP!

3) Is Charlie Brown’s grandmother also his teacher? They both have the same trombone-with-plunger voice. What’s the deal?! The network wouldn’t spring for a French horn?!

4) And finally, I found it disturbing that Woodstock is happily devouring another bird with Snoopy at the end of the film. Hel-LO!!! Anyone else think this is weird?! Does the Audubon society know about this?!

OK, fun stuff aside this is not a bad Charlie Brown special, it’s just not a great one. If you can check it out of the library, by all mean do – it’s sorta fun. But if you’re gonna buy Peanuts specials, make sure you get Christmas and Halloween first.

Bill Hinds – Inside the Cartoonist’s Studio

Welcome to another installment of everyone’s favorite cartoon Q & funny A, Inside the Cartoonist’s Studio!

This week I’m pleased to welcome Bill Hinds of Cleats!

Make it so…

1) If you were to cast a movie entirely with cartoon characters, what movie would it be and who would star in it?

“Conan the Barbarian” with Tank McNamara in the title role–because he’s due a break, and he looks great with long hair.

2) You’re a syndicate editor launching a new comic strip. What’s the worst possible title you can think of?

I was talking to an Aussie cartoonist awhile back and asked him if he thought my strip “Cleats” would work Australia. He politely said it might, but the name would have to be changed because the word “cleats” wouldn’t register with Australians. I asked him what they called those things on the bottom of soccer shoes in his country. His reply? “Studs.” For a kid strip about sports, I believe “Studs” fits the bill as the worst possible title–in the U.S.A.

3) A light bulb over a cartoon’s head signifies an idea, while a string of random characters denotes swearing. Invent a new cartooning icon and what it means.

A “Corked” baseball bat, signifying the Viagra has taken effect.

Hee-hee… “Corked”!

Thanks Bill! And everyone be sure to check out Cleats!

Until next week…

Digital Archive Rescuing Classic Cartoons (Audio!)

NPR recently ran an interesting report on the International Animated Film Society‘s plans to build a digital archive of classic animation. Give it a listen!

Here’s some info on the project from the ASIFA website:

The International Animated Film Society: ASIFA-Hollywood has embarked on an ambitious project to expand the offerings of the current ASIFA-Hollywood Animation Center in Burbank to include a virtual archive, museum, library and research facility for the benefit of the animation community, students and general public. The first step in achieving our goals involves the establishment of a computer system capable of documenting, cataloging, and retrieving images and sounds related to the art of animation.

There are many archives dedicated to documenting the history and preserving the artifacts of animation, but the ASIFA-Hollywood archive will be unique. First of all, the archive will be primarily dedicated to the use of artists, voice actors and other creative people working in the artform of animation. It will function as the ultimate artist’s “clip file”, gathering together hundreds of thousands of digital files.

Access to the materials will be much quicker and easier than with most research facilities because this will be a VIRTUAL ARCHIVE, not a collection of hard copies. A central server will house hundreds of thousands of digital images, movies and sound files, all searchable by topic through a keyword database. This central server will be connected to satillite work stations at the ASIFA-Hollywood Animation Center. ASIFA-Hollywood members and the general public will have access to the system for personal reference and research at the Animation Center. Once the system is up and operating smoothly, the Animation Archive database will be brought online, so ASIFA-Hollywood members will have instant access to the Animation Database the world over.

ASIFA-Hollywood members will also have the opportunity to arrange to digitize important artwork and research material in their own personal collections for inclusion in the database. ASIFA-Hollywood is in an unique position to be able to quickly pull together a broad array of valuable information, and provide it to the animation community as a whole. In a short period of time, we are confident that the database will become the pre-eminent digital collection devoted to animation in the world.

The database will contain a wide range of material… illustration and print cartoons catagorized by subject and artist; all kinds of animation art from character designs and model sheets to animation drawings and background paintings. Movies of pencil tests and key scenes by famous animators will be included, as will audio files documenting the work of major voice over artists. All of the digital files will be accessible by a simple keyword search. Artists will be able to quickly see different approaches to the design of a specific subject, research the work of artists who interest them, and gain inspiration from the rich history of animation.

The first phase of the project involves purchasing the necessary equipment and building a prototype Animation Database which will be available to members at kiosk workstations in the ASIFA-Hollywood Animation Center. The fundraising goal to make this start is $50,000. Once that goal is reached, we will begin to search for sponsorship and grants to allow the archive to be brought online. If every member of ASIFA-Hollywood contributed to the effort, the Animation Archive will be a reality in a very short period of time. Once the Animation Archive is established and operating, ASIFA-Hollywood will begin work on establishing the ASIFA-Hollywood Museum of Animation.

Over the next three to five years, ASIFA-Hollywood will be staging numerous fundraising events to fund this ambitious project. We encourage all animation professionals and fans to participate and become a part of this project. If you would like to make a donation to the Archive Project, you can send them to the ASIFA-Hollywood Office…

The International Animated Film Society
721 S Victory Bl
Burbank, CA 91502

Please write ARCHIVE PROJECT on the note line of your check, and we will make sure it gets into the project account. Your support will be clearly visible in the growth of the project over the next few years. We will keep you informed as the project moves forward.
If you would like to volunteer to help ASIFA reach its goals, please plan to attend one of the monthly Act of Membership meetings. They are held at the ASIFA-Hollywood Animation Center on the last Wednesday of every month.
On behalf of the Board of Directors of ASIFA-Hollywood, I thank you for your support.

Stephen Worth
Director, ASIFA-Hollywood Archive Project
Member Board of Directors of ASIFA-Hollywood